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发信人: tst (aaa), 信区: English
标 题: Abraham's thesis
发信站: 紫 丁 香 (Fri Oct 8 13:31:59 1999), 转信
The Analyses of the Central Character in The Dead
Undisputedly, The Dead is the best short-novel we've ever read, in which Jame Joyce expertly condensed a
profound theme into a capacity of twenty pages. Difficult as an accurate interpretation seems, it's an efficient
Approach to decode the theme and the symbolism via the analysis of the hero, Gabriel Conroy.
The Background
Although there's no specific reference as to the personal information of Mr. Conroy,
we can knit the scattered hints together to acquire a full image of Gabriel. Being the
most beloved nephew of Misses Morgan, Gabriel Conroy was brought up in a well-to-do
family in Dublin and complete his college education in the Royal University. After graduation
,he become a language teacher in a university and fathered two small kids during his marriage
with a lovely girl from Galway. Interestingly, the hero's background, especially on education,
job and marriage, strikingly coincided with the Joyce's. Of course there's no point of
saying Gabriel was the duplicate of Joyce, but it stands to reason that the character more
or less reflected the world within the author, just as much as his another masterpiece The
Portrait of an Artist as a Young Man. Joyce once declared that The Dubliner was "[his] nicely-
polished looking glass" for the Irish people to " have one good look at themselves". Conceivably,
himself was included too.
Four Noticeable Turning-points Concerning Gabriel
I> Lily, the caretaker's daughter and a seemingly unimportant role, gave Mr. Conroy the first
rebuff on the occasion of the New Year Party. The reason why Lily got deeply hurt at Gabriel's
teasing remains unknown throughout the context. But when he awkwardly presented her a coin
and kept the embarrassment brooding over his mind, the highly-sensitiveness, an important
trait of his character, is hopelessly exposed before the readers.
II> When dancing with his partner Miss Ivors, a colleague from the same facility he worked in,
Gabriel made a discreditable quarrel with the lady, who left the party without dinner
afterwards. Since Gabriel was always a man behaved as a considerate, tactful and civilized
gentleman and Miss Ivors never bore any malice or ill-feeling against him before, the dispute
came as a surprise to the readers. But what is the most unbearable thing that sting both
of them so much?
As we know, the history of Ireland is alive with turmoils and uprings under the enslavement
of England ever since William III crushed the Irish Catholic forces in 1690. England was
never completely victorious and Ireland never completely subsided. The appeal for the
independence from the Great Britain rose to a climax at the turning of the century , a period
when the story took place.
Accordingly, writing reviews for The Daily Express, a Dublin newspaper that opposed Irish
nationalism, was a shameful betrayal to the nation as far as Miss Ivors was concerned. Moreover,
between th cross-examination and the fragile conscience within, Gabriel's retort turned
out to be a failure-" I am sick of my own country, sick of it." Being a symbolism as well
as a revenge, the anecdote about his grandfather and the horse harshly mocked Gabriel as
a man who cling on to the Anglo-Irish establishment and lacked the necessary enthusiasm
stirred among the Irish people, as much as the horse who preferred enslavement to freedom.
III> The speech he delivered during the inviting supper is considered to have clearer bearing
On the theme the title suggests. After a series of frustration which spoilt Gabriel's cheer,
He was eager for an opportunity of showing off his intellectual superiority to resume his
Confidence. Besides the routine thanks for the slavish hospitality of the hostess and the
Subtle counterattack against Miss Ivors' discourtesy, his speech sentimentally dealt with
The view on the sad memories of the past. He argued that there was no need to linger on
The past ,because we couldn't "find the heart to go on bravely with our work among the
Living " otherwise. To some extent, the pompous presentation reflects his self-centered
Feelings for the dead. He took pride in his keeping away from any gloom moralizing intruded
Upon him. But in fact, it's merely because that he didn't understand the death of his beloved
Meant,and what on earth was the true love.
IV> When Mrs. Conroy collapsed on the bed and burst into crying, Joyce terminated his endless
Striptease and led readers to the ultimate revelation. His wife's distressing story smashed
Gabriel's voluptuous and pitiable fantasy on the way to the hotel. For the first time in his
Life, he got an insight into his ignorance and conceit, and came to a new understanding to
The ephemerality of their lives. Joyce arranged his central character to experience an
"epiphany" by the end of the novel---" The time had come for him to set out his journey
westwards" completes the final turning-point.
●The Conclusion of the Analysis of the Central Character
Through the analysis of the central character, we can roughly reach such a brief conclusion:
Gabriel Conroy was a person who endeavored to be considerate, unselfish, courteous and
Good -natured, and so he was most of the time. But his sense of superiority attributed to
His indifference and conceit within.
Of course, besides Mr. Conroy, Joyce successfully exhibited other characters in the novel,
Who performed a vivid tableau of the everyday life in Dublin.
--
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