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CORRECTING THE COLOR PLATES Once you can identify the
color balance problem in an image, it’s easy to correct the
problem using Curves. These examples show common color balance
problems in an image along with the Curves adjustment
needed to correct the problem.
You can also use the color wheel to help you identify the cause of a color
problem. For example, too much red in an image may be caused by too much
magenta (as shown in the lower left corner of this page) or it
may be caused by
too little of red’s opposing color on the color wheel, cyan (as
shown in the upper
right corner of this page). Similarly, a green cast is often a
sign of too little
magenta. Use this page and the color wheel on page 128 to help evaluate the
color in your own image.
Corrected image
Heavy in
black
Heavy in
magenta
Weak in
black
Weak in
magenta
Heavy in
cyan
Heavy in
yellow
Weak in
cyan
Weak in
yellow
CHAPTER 6 130
Making Color and Tonal Adjustments
Using the Color Balance command
The Color Balance command lets you change the
mixture of colors in a color image. Like the Bright-ness/
Contrast command, this tool provides gener-alized
color correction. For precise control over
individual color components, use Levels, Curves,
or one of the specialized color correction tools:
Hue/Saturation, Replace Color, or Selective
Color.
Note: You must be viewing the composite channel to
use the Color Balance command. See “Using the
Channels palette” on page 230.
To adjust the levels of a particular color in
an image:
1 Open the Color Balance dialog box, as described
under “Using color adjustment commands” on
page 107.
2 Do one of the following: Click Shadows, Midtones, or Highlights to select
the tonal range on which you want to focus the
changes. With RGB images, click Preserve Luminosity to
prevent changing the brightness values in the
image as well as changing the color. This option
maintains the tonal balance in the image.
3 Drag a triangle toward a color if you want to
increase that color in the image; drag the triangle
away from the color if you want to decrease the
color.
The values at the top of the Color Balance dialog
box show the color changes for the red, green, and
blue channels. (For Lab images, the values are for
the a and b channels.) Values can range from –100
to +100.
The following illustrations show the effects of
adjusting the cyan/red level in the midtones.
Original image: greenish Color balance adjusted
cast in midtones
Midtone values for corrected image
Using the Hue/Saturation command
The Hue/Saturation command lets you adjust the
hue, saturation, and lightness of individual color
components in an image. Like the Color Balance
command, the Hue/Saturation command is based
on the color wheel. Adjusting the hue, or color,
represents a move around the color wheel; adjust-ing
the saturation, or purity of the color, repre-sents
a move across the diameter of the color
131
the Colorize option to add
you have converted to
effect.
Hue/Saturation:
dialog box, as
color adjustment
107.
the dialog box are six color
and subtractive colors in
appear on the color wheel:
blue, and magenta. For
are displayed: yellow,
swatch at the bottom of
monitor the adjustment’s
(by default, the fore-ground
a color in the image to change
to the color component
select Master to adjust all
3 Drag the Hue slider until the colors appear the
way you want them. You can also type a value into
the Hue text box.
The values displayed in the text box reflect the
number of degrees of rotation around the wheel
from the pixel’s original color. A positive value
indicates a clockwise rotation; a negative value
indicates a counterclockwise rotation.
4 Drag the Saturation triangle to the right to
increase the saturation; drag to the left to decrease
the saturation. This shifts the color away from or
toward the center of the color wheel, relative to the
beginning color values of the selected pixels.
Original image Saturation: –40
5 Drag the Lightness slider to the right to increase
the lightness; drag to the left to decrease the light-ness.
Values can range from –100 to +100.
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